From the creators of Danganronpa and Zero Escape, World’s End Club arrived on Apple Arcade in 2020. Now that it is on Switch Michael Beckwith is here to tell us if the game lives up to its spiritual predecessors.
All in Reviews
From the creators of Danganronpa and Zero Escape, World’s End Club arrived on Apple Arcade in 2020. Now that it is on Switch Michael Beckwith is here to tell us if the game lives up to its spiritual predecessors.
Zombies, monsters and umbrella gliders, OH MY! Mayhem in Single Valley is a striking new indie game from a small team and Marley Hannan is here to let us know if the game lives up to its good looks.
Anime fighters can be hard to follow, so it is a good thing that Touhou Hyouibana: Antinomy Of Common Flowers is simplifying things by… making it a bullet hell game too? Jessica Reyes joins us for the first time to let us know if this genre mash-up succeeds.
So 2020 was pretty bad, but things could be worse. You could be trapped in a monochrome wasteland like the survivors in Ashwalkers: A Survival Journey. We welcome Joshua Jarrett to the site to review it.
Head empty. Lady tall.
But is the game surrounding everyone’s favourite vampire any good? Matthew John McCormick is here to let us know.
Having come to mobile devices in 2017, Andreas Theodorou is here to let us know if there is enough game here to sustain a PC port.
Gnosia is a staggeringly difficult game to explain in a few sentences without being super reductive. So we asked Michael Beckwith to fill us in on all the details and review it for us.
Eximius: Seize the Frontline has gone through a lot to finally be released. Tyler Denyer fills us in as to if it was worth the wait.
Couch Co-op is a risky genre to release a game in during a pandemic. Andreas Theodorou is here to tell us if Boomerang Fu can overcome social distancing to still be a compelling game.
You ever wanted to hang out with some friends and investigate supernatural happenings while the last of the Soviet Union collapses around you? With Døm Rusalok you finally can and Tyler Denyer is here to let us know if it is any good.
The Phantom Thieves are back and this time they’re all about that Musou action. Najib Hassan investigates if they have pulled off the transition and what it is like to return to these characters and this world.
There is an almost uncountable number of Early Access games coming out on Steam, so it is genuinely surprising when one arrives feeling polished at launch. Natalie Raine investigates how 30XX holds up on closer inspection.
Sarawak follows the story of college student Mia trying to clear her mother’s name of murder. Tyler Denyer is here to let us know if it is a compelling tale.
For Tyler Denyer’s first piece on startmenu, they take a look at the time-hopping platformer YesterMorrow.
Ubisoft’s premiere franchise returns after a year off with the release of Assassin’s Creed: Valhalla but has it been worth the wait? Matthew John McCormick thinks so.
Next-gen gaming is like boxes of chocolate. Sometimes the contents are great sometimes it pretty dubious (with a suspiciously short shelflife) and whoever makes them keeps making the packaging weirder and weirder. Anyway Alex Green has been playing the Xbox Series S.
It’s the end of the world as we know it, but Kate Robinson feels fine thanks to the witty writing and surprising gameplay of Lair of the Clockwork God.
After its release on PC and console in 2018, The Gardens Between has made its way to mobile. Santi Leguiza took a look at this new version of this game to see if it holds up.