For all the talk around Mixtape the last few days, it kinda feels like there's been frustratingly little talk *about* Mixtape.
Tomás Neumann Aspee tries to separate the static noise from music in their review.
All in Reviews
For all the talk around Mixtape the last few days, it kinda feels like there's been frustratingly little talk *about* Mixtape.
Tomás Neumann Aspee tries to separate the static noise from music in their review.
Replaced nails the cyberpunk aesthetic with its highly cinematic art direction and a synth-centric soundtrack, though its gameplay at times leaves something to be desired.
Tomás Neumann Aspee reviews.
Hyper Games’ Moomintroll: Winter’s Warmth is worthy of devotion and even better than its predecessor.
Luis Aguasvivas reviews.
In Owlskip Games’ The Ratline, the player unravels a mystery and unmasks Nazi war criminals. While it stands on a strong premise, the game’s narrative takes a backseat to its deduction mechanics.
Andrei Filote reviews.
Artemis Octavio rides the shifting tides of Titanium Court, AP Thomson's new Shakespeare-inflected release.
The “product” that WWE offers has rarely felt more morally compromised or bad value than it does today, so it's fitting that WWE 2K26 embodies that nickel-and-dime feel, dragging down solid gameplay with endless caveats, both ethical and practical.
Chris Penwell reviews WWE 2K26.
A roguelite comes with the expectation of failures and repeats, but Valor of Man is all slog and little reward.
Branford Hubbard reviews.
There’s more to Horripilant than its idle gameplay may at first suggest.
Jay Weaver reviews.
At the beginning of the year, Terra Invicta reached escape velocity, leaving early access with its official 1.0 release.
Steven Stoermer reviews.
Pragmata is a new Mega Man game, if you threw out Mega Man, replaced the 2D platforming with third-person shooting and puzzling, and it's set on the moon.
So it's not really a Mega Man game at all, but that doesn’t mean Brandon Craw didn’t love his time with it.
Angel Engine solidly executes upon an interesting premise, but it is based on a web series that was made using generative AI. Brandon Craw grapples with a quandary: if the source material used AI, but the game itself does not, is it corrupted by association?
Dosa Diva’s is a hearty and heartwarming RPG about family and food with a robust combat system; however, it occasionally struggles to highlight the star of the show: cooking with those you love.
Ashley Schofield reviews.
Crimson Desert is often overwhelming in its scale; however, if you can get past convoluted controls and thin characterisations there is a vast world to explore.
Planet of Lana II builds on its predecessor’s strong foundation, but retains some of the original game’s issues.
Alex Green reviews.
Battle Brothers developer Overhype Studios' new release Menace makes a strong showing, but has plenty of room to grow.
Steven Stoermer reviews.
An interesting aesthetic and odd flashes of ambition aren’t enough to save this muddled isometric survival horror. Michael Moran reviews.
From its demanding combat to vivid pixel art style, Gonçalo Santos finds a lot to love in Crimson Capes.
Winter Burrow doesn’t shy away from its titular season’s harsh freezes, but its snowy setting ultimately serves as the foundation for a cozy experience.
Steven Stoermer reviews.
Resident Evil Requiem’s great first impressions and rock solid gameplay are undermined by some questionable story and pacing choices in the game’s second half.
Despite this, Artemis Octavio finds there is plenty of life left in this corpse in their review.
The siren song of Scarlet Hollow’s new chapter draws Claribel F. Millgress back home to The Holler.